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Product description
"Russian Cossack - Bronze Figure - Eugene Lanceray - Real Bronze Statue"
Height | 46 cm |
Width | 21 cm |
Length | 14 cm |
Weight | 9,3 kg |
A Tribute to Strength, Spirit and Song - "Russian Cossack" – Bronze Sculpture - Signed Eugene Lanceray
This expressive bronze figure of a "Russian Cossack" captures the fiery temperament and spirited presence of a proud warrior and singer from the steppes of Russia. Standing upright with his arms spread across his chest, head thrown back in the midst of an impassioned song or speech, this figure radiates energy, authenticity and boldness. The tension in his stance, the detailed folds of his traditional attire, and the powerful facial expression all contribute to a compelling sculptural presence. Whether viewed as a folkloric representation or as a historical artifact, this figure carries the cultural weight of an entire people – the Cossacks, famed for their independence, courage, and complex role in Russian history.
Real Bronze with Remarkable Realism
Crafted using the traditional lost-wax casting process, this sculpture exhibits the signature bronze patina of the 19th century: warm, rich, and gently polished to reveal the subtle muscularity of the figure and the texture of the costume. The finely detailed papakha (fur hat), the layered kaftan with cross pendant, and the curved sabre (shashka) hanging from his belt are executed with exceptional precision. These details speak to Lanceray’s deep understanding of regional costumes and his dedication to ethnographic accuracy. The figure is mounted on a dark marble base, grounding it physically and metaphorically, and offering a noble contrast to the dynamism of the subject. This is not a mass-produced object, but a work of classical bronze artistry that brings to life a moment of cultural identity and human emotion.
Eugene Lanceray – Sculptor of the Russian Soul
Evgeny Alexandrovich Lanceray (often spelled Yevgeny or Eugene Lanceray) was born 1875, in Russia. He grew up in a noble family steeped in the intellectual and artistic circles of the Russian Empire. Trained in both St. Petersburg and Paris, Lanceray became one of the foremost sculptors of the late 19th century, specializing in bronze compositions that depicted historical, military, and peasant life with unmatched vigor and realism. He was a member of the prestigious Imperial Academy of Arts and part of the wider realist movement that included painters such as Ilya Repin and Vasily Surikov. What distinguished Lanceray was his particular focus on Russian subjects, especially Cossacks, horsemen, and soldiers – not as idealized heroes, but as richly complex characters caught between tradition and modernity. His travels through the Caucasus and the southern steppes allowed him to observe firsthand the customs and lives of the people he so vividly immortalized in bronze.
A Cossack in Motion and Song
The figure here likely represents a Kuban or Don Cossack, recognizable by his tall fur hat, flowing cherkesska (coat), and distinctive belt and weapon. But beyond his costume, it is the movement of the figure that speaks most powerfully. With mouth agape, he may be caught mid-song – echoing the Cossack tradition of oral storytelling, military chants, and folk music. Or perhaps he is delivering a stirring speech, raising the morale of his companions or invoking the memory of their ancestors. The gesture is ambiguous yet emotionally clear: pride, presence, passion. In a single moment, Lanceray manages to express the essence of the Cossack mythos – neither frozen in time nor nostalgic, but full of life and resonance.
A Sculpture of Cultural Identity
This bronze is more than a figure; it is a bearer of memory. Cossacks were often romanticized in literature and art, portrayed as noble rebels, fierce warriors, and free spirits of the steppes. At the same time, their historical role – as border defenders, military auxiliaries, and sometimes state enforcers – was complex and sometimes controversial. Lanceray, however, avoids both extremes. He presents the Cossack not as legend, but as person: fully clothed in cultural symbols, but animated from within by human feeling. This ability to combine documentary realism with psychological depth places Lanceray among the great sculptors of the Russian realist tradition.
For Collectors of History and Emotion
This bronze figure would be at home in any serious art collection, especially one focused on Russian Imperial art, military history, or realist sculpture. It carries the gravity of the past and the vivacity of a lived moment. Placed in a study, gallery, or library, it becomes a conversation piece not just for its craftsmanship but for its narrative power. It invites reflection on identity, resilience, heritage – and the enduring ability of sculpture to embody the human condition in metal and motion.
Lanceray’s Legacy in Bronze
Eugene Lanceray died in 1946, but his works continue to be revered as masterpieces of 19th-century Russian art. This sculpture, with its commanding presence and detailed execution, is emblematic of his finest achievements. Signed by the artist, it bears witness to a world both distant and deeply human. It speaks of traditions that shaped nations and individuals, of voices raised in song across windswept plains. And above all, it affirms the enduring vitality of the sculptor’s hand – able to render stone and bronze into breathing history.
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